October 31st "Big Shot" Reserved Seats

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  • Ticket Price: $40.00 - $50.00
  • Restrictions: All Ages
    Quantity of tickets shown in drop down menu reflects total tickets remaining.

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October 31st "Big Shot" Reserved Seats
Wednesday, October 31, 2018 5:00 PM
Preservation Hall, New Orleans, LA
  • All Ages
  • Quantity of tickets shown in drop down menu reflects total tickets remaining.
Admission Type Price Quantity
Reserved Seats are sold Out. Plenty of $20 General Admission Tickets will be available at the door.
strong>Reserve the best seats in the house and skip the line. 

Presenting at 5 and 6 PM, Joe Lastie's New Orleans Sounds.

Presentintg at 8, 9, and 10 PM, The Preservation All Stars with Rickie Monie.

Every night, Preservation Hall presents intimate, acoustic concerts featuring ensembles made up from a current collective of 100+ local master Traditional New Orleans Jazz practitioners. These master musicians have learned the traditional style from the greats that played before them at Preservation Hall. The Preservation All Stars feature some of those master veteran musicians. With a line-up changing week to week, the Preservation All Stars provide an ever-evolving take on the New Orleans Jazz tradition.

Joe Lastie

Receiving his first drum set at age eight, Joe Lastie was destined to carry on the traditions of his highly musical family, which included his mother, both grandfathers, his aunt Betty, and his uncles Melvin, David, and Walter “Popee.” Born and raised in the Lower Ninth Ward, Joe’s grandfather was a minister and is credited with popularizing the drum set in church music. As a youth, Joe would set up a small drum kit at the foot of his grandparents’ bed and practice on whatever drums were available. “It didn’t matter if it was just a snare drum and cymbal,” he remembered, “I’d always find a way to make it work out.”

Lastie played his first job with a rhythm section backing the Desire Community Choir. He also studied jazz with Willie Metcalf at the Dryades Street YMCA, where his classmates included the young Wynton and Branford Marsalis. In 1969 he moved with his family to New York, where he took lessons from Clyde Harris through the public schools. His drumming improved enough to earn him a gig with the pit band for the New Orleans Broadway musical One Mo’ Time. Lastie returned to New Orleans after high school and picked up a steady gig with bassist Richard Payne’s band. On a tip from trumpeter Gregg Stafford, Lastie was invited to substitute at Preservation Hall in 1989; he has been a regular drummer with the band since then.

Rickie Monie

Born in 1952, pianist Rickie Monie was raised in New Orleans’s Ninth Ward near pianists Edward Frank and Roosevelt Sykes, as well as Preservation Hall trumpeter Frank Parker. Monie’s parents played piano in church, and at home they would spin records by Art Tatum, Oscar Peterson, Teddy Wilson, and other pianists. Monie’s father began teaching him at the age of eight, and he eventually played piano and organ in church. “I wanted to go out and play football like the rest of the guys in the neighborhood,” says Monie. “But now that I’ve been all around the world, I’m glad my father chose my profession for me.”

Monie came to know Milton Batiste, Manny Sayles, Harold “Duke” Dejan, and Sweet Emma Barrett as he went to hear music in the French Quarter. In 1982 he began sitting in for the aging Barrett. “The time I spent sitting next to Sweet Emma was like going back to school,” he remembers. “Words can’t always communicate a musical idea or concept. Sometimes, you just have to be there and experience it for yourself.” The Dillard University graduate has performed with Dave Bartholomew, Clarence “Frogman” Henry, Dr. Michael White, Gregg Stafford, and Topsy Chapman. Monie is also an accomplished clarinetist and regularly plays the organ in churches around New Orleans.