June 6th "Big Shot" Reserved Seats

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  • Ticket Price: $40.00 - $50.00
  • Restrictions: All Ages
    Quantity of tickets shown in drop down menu reflects total tickets remaining.

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June 6th "Big Shot" Reserved Seats
Wednesday, June 6, 2018 5:00 PM
Preservation Hall, New Orleans, LA
  • All Ages
  • Quantity of tickets shown in drop down menu reflects total tickets remaining.
 
Admission Type Price Quantity
Big Shot Reserved Seats for this show are no longer available online. General Admission Tickets are available at the door.
Reserve the best seats in the house and skip the line. 

Presenting at 5 and 6 PM, Joe Lastie's New Orleans Sounds.

Presentintg at 8, 9, and 10 PM, The Preservation All Stars with Charlie Gabriel.

Every night, Preservation Hall presents intimate, acoustic concerts featuring ensembles made up from a current collective of 100+ local master Traditional New Orleans Jazz practitioners. These master musicians have learned the traditional style from the greats that played before them at Preservation Hall. The Preservation All Stars feature some of those master veteran musicians. With a line-up changing week to week, the Preservation All Stars provide an ever-evolving take on the New Orleans Jazz tradition.

Joe Lastie

Receiving his first drum set at age eight, Joe Lastie was destined to carry on the traditions of his highly musical family, which included his mother, both grandfathers, his aunt Betty, and his uncles Melvin, David, and Walter “Popee.” Born and raised in the Lower Ninth Ward, Joe’s grandfather was a minister and is credited with popularizing the drum set in church music. As a youth, Joe would set up a small drum kit at the foot of his grandparents’ bed and practice on whatever drums were available. “It didn’t matter if it was just a snare drum and cymbal,” he remembered, “I’d always find a way to make it work out.”

Lastie played his first job with a rhythm section backing the Desire Community Choir. He also studied jazz with Willie Metcalf at the Dryades Street YMCA, where his classmates included the young Wynton and Branford Marsalis. In 1969 he moved with his family to New York, where he took lessons from Clyde Harris through the public schools. His drumming improved enough to earn him a gig with the pit band for the New Orleans Broadway musical One Mo’ Time. Lastie returned to New Orleans after high school and picked up a steady gig with bassist Richard Payne’s band. On a tip from trumpeter Gregg Stafford, Lastie was invited to substitute at Preservation Hall in 1989; he has been a regular drummer with the band since then.

Charlie Gabriel

Clarinetist, saxophonist, and flutist Charlie Gabriel is a fourth-generation jazz musician from New Orleans. Raised in a classically trained musical family that emigrated from Santo Domingo in the 1850s, Gabriel began playing clarinet professionally with the Eureka Jazz Band when he was eleven years old. During World War II, his father, clarinetist and drummer Martin Manuel “Manny” Gabriel often sent his son as a substitute on gigs. Charlie recalls how the musicians with whom he played —T-Boy Remy, Kid Humphrey, Kid Sheik, Kid Shots, Kid Clayton, and Kid Howard— also raised him and brought him home after the gigs.

In a career spanning countless genres, Gabriel has performed with Tony Bennett, Frankie Avalon, Brenda Lee, Mary Wells, Eddie Willis, Joe Hunter, and many other early Motown artists. Gabriel sums up the influence of his fellow musicians: “I have many, many people inside of me that I have rubbed shoulders with, and I got something from each one of them. It’s all wrapped up inside of me, and by me still playing today and still able to go around the universe, I give to them all these other things I have from those that I have came in contact with.”