October 8th "Big Shot" Reserved Seats

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  • Ticket Price: $40.00 - $50.00
  • Restrictions: All Ages
    Quantity of tickets shown in drop down menu reflects total tickets remaining.

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October 8th "Big Shot" Reserved Seats
Monday, October 8, 2018 8:00 PM
Preservation Hall, New Orleans, LA
  • All Ages
  • Quantity of tickets shown in drop down menu reflects total tickets remaining.
Admission Type Price Quantity
Reserved Seats are sold Out. Plenty of $20 General Admission Tickets will be available at the door.
Reserve the best seats in the house and skip the line. 

Presenting at 5 and 6 PM, The Preservation Jazz Masters with Gregg Stafford.

Presenting at 8, 9, and 10 PM, The Preservation All Stars with Charlie Gabriel.

Every night, Preservation Hall presents intimate, acoustic concerts featuring ensembles made up from a current collective of 100+ local master Traditional New Orleans Jazz practitioners. These master musicians have learned the traditional style from the greats that played before them at Preservation Hall. The Preservation All Stars feature some of those master veteran musicians. With a line-up changing week to week, the Preservation All Stars provide an ever-evolving take on the New Orleans Jazz tradition.

Gregg Stafford

Gregg Stafford’s trumpet playing is seeped in tradition. In his youth, however, he had no desire to become a musician. By chance, his high school band leader needed a trumpet player and recruited Stafford. Nine months later, he started marching in parades. He was sixteen years old, and at that time, in the late 1960s, brass band music was for “old men.” But Stafford had grown up watching brass bands and loved practicing tunes at home. He began playing in the E. Gibson Brass Band with childhood friends Tuba Fats Lacen and Michael Myers and subsequently in Danny Barker’s Fairview Baptist Church Band. Stafford also played in the Young Tuxedo Brass Band, which he went on to lead, and the Olympia Brass Band.

Decades before he began playing regularly at Preservation Hall, Stafford came by to hear the music. But he absorbed much more from the musicians he thought of as fathers—Louis Cottrell, Harold Dejan, Albert Walters, Jack Willis, Teddy Riley, and many more. These men taught him about history, pride, and values. Stafford says music holds the people and the community together; every time he plays, he holds audiences in rapture.

Charlie Gabriel

Clarinetist, saxophonist, and flutist Charlie Gabriel is a fourth-generation jazz musician from New Orleans. Raised in a classically trained musical family that emigrated from Santo Domingo in the 1850s, Gabriel began playing clarinet professionally with the Eureka Jazz Band when he was eleven years old. During World War II, his father, clarinetist and drummer Martin Manuel “Manny” Gabriel often sent his son as a substitute on gigs. Charlie recalls how the musicians with whom he played —T-Boy Remy, Kid Humphrey, Kid Sheik, Kid Shots, Kid Clayton, and Kid Howard— also raised him and brought him home after the gigs.

In a career spanning countless genres, Gabriel has performed with Tony Bennett, Frankie Avalon, Brenda Lee, Mary Wells, Eddie Willis, Joe Hunter, and many other early Motown artists. Gabriel sums up the influence of his fellow musicians: “I have many, many people inside of me that I have rubbed shoulders with, and I got something from each one of them. It’s all wrapped up inside of me, and by me still playing today and still able to go around the universe, I give to them all these other things I have from those that I have came in contact with.”